2pac – 2pacalypse Now

2pac - 2pacalypse NowAfter a short stint with the Digital Underground, 2pac dropped his first solo album in 1991. After hearing the album, it may be hard to believe this rapper was a member of the light-hearted group, becoming hip-hop enemy #1. Equiped with angry and hostile raps and lyrics about the streets, politics, and cops, it made Pac a target of Vice-President Dan Quayle’s re-election campaign, causing much contraversy.

 

1. Young Black Male 

The album’s opener. Ok beat, 2pac spitting a nice little rap. Pretty short. Nothing more than average. – 3/5

2. Trapped

2pac’s first single. Funky beat with a subdued bass line. 2pac rapping about the Police, trying to avoid confrontation, but eventually leading to shots being fired in an altercation, leaving 2pac “trapped”. – 4/5

3. Soulja’s Story 

This song is the reaon why this album became a target, after a man shot a Texas trooper claiming this song inspired him (“They finally pull me over and I laugh/”Remember Rodney King?” and I blast on his punk ass”). The first verse describes a young man in the hood killing a cop and eventually getting caught. With the 2nd verse describing the man’s brother attempting to break him out of jail and both of them eventually getting shot down in the process. – 3.5/5

4. I Don’t Give A ***** (featuring Money B.) 

This song has 2pac tackling cops, the record industry, and markets. Nice funky beat and also features Digital Underground’s Money B. – 3.5/5

5. Violent 

Another song about the police, describing two cops trying to frame Pac and an other man, the two getting into an altercation with the officers. His friend shooting the cop, then the two trying to get away, and the song ending with Pac and his companion ready to shoot the cops chasing them. Has a reggae feel to it. – 3.5/5

6. Words Of Wisdom

This cut has Shakur pleading for the black man to rise up against the oppresive goverment and charging the goverment for all their wrong doing they did to blacks, and even has 2pac criticising Martin Luther King Jr. (“No Malcolm X in my history text, Why is that?/Cause he tried to educate and liberate all blacks/Why is Martin Luther King in my book each week?/He told blacks, if they get smacked, turn the other cheek”) The beat has a laid-back jazzy feel to it. 2pac touches on a lot of issues on this song. – 4/5

7. Something Wicked

A short song with 2pac dropping a nice little rap. After all the raps aout politics, this song is quite refreshing. – 3/5

8. Crooked Ass Nigga (featuring Stretch) 

This song has 2pac describing getting robbed then chasing him and once again meeting up with the cops. Stretch and 2pac drop more raps about crime. This song feastures hella NWA voice samples. Nice lil song. – 3.5/5

9. If My Homie Calls 

This is one of those songs that show 2pac as a kind and emotional man, describing how friends go down different paths, and even though one of them is selling drugs, but 2pac still being there for him regardless. Nice beat also, one of the stand out tracks of the album. The beat with it’s subtle synth signatures, elastic bass line, Herbia Hanckock sample, and 2pac’s double-tracked vocals, make this song sound like nothing before or after it’s release – 5/5

10. Brenda’s Got A Baby 

Pac shows his storytelling skills once again in this song, describing the life of a pregnant teenage girl, with Brenda eventually turning to prostitution to support the child and being found slain at the end. This single was the song that first showed 2pac succes, breaking the top 30 on the R&B chart. – 4.5/5

11. Tha Lunatic 

2pac is out in his own word “that I’m a dope MC” with this song. More up-beat than most of the album and seems more like the other hip-hop sngles out at the time. – 3.5/5

12. Rebel of The Underground 

Like the previous song, this is less political and more of just a nice rap. The song named after Pac’s nickname given to him by Digital Underground. Nice funky beat. – 3.5/5

13. Part Time Mutha (featuring Poppi)

2pac describes growing up in a home with a dope-fiend mother. Poppi then desceribes being molested, telling her mother, only to be called a mother. in the 3rd verse, 2pac describes getting a woman pregnant, and becoming a “part-time mutha” (actually father). The song has a nice laid back soulful feel to it. – 4/5

Overview:

This album showed that 2pac was a rising star, although not a hit, it made Pac a promising act. The contraversy Quayle cause helped fuel Pac’s next album, which would introduce him to the pop success. Although it comes off weak at some spots, the album’s political message, and 2pac’s lyrics and storytelling make this album a great album, with me giving it a high 3.5/5

Overall Rating: 3.5/5

Notorious B.I.G – Ready To Die

Notorious B.I.G - Ready to dieMister Cee introduced a young Christopher Wallace to the world through the Source’s Unsigned Hype column. Soon after, producer Puff Daddy signed him to his start up label, Bad Boy Records. This was Biggie’s debut album.

1. Intro – Production: Puff Daddy
Intro track starts with a childbirth that rolls into Curtis Mayfield’s Supafly beat and other samples throughout the eras of Biggie’s existance. They are there to demonstrate times in his life from birth to childhood, hustling and jail.

2. Things Done Changed – Production: Darnell Scott
The song is about how the streets have changed. The beat is laid back and BIG flows nicely with it. The chorus is sampled from Dre’s “Lil Ghetto Boy”. A good track about the everyday struggle and one of the albums shining moments.

3. Gimme the Loot – Production: Easy Mo Bee
A good hard and funked out beat, Biggie flows split-personality talking back and forth about pulling off a heist. Hard lyrics and a tight flow. Simple chorus works for the concept of the track.

4. Machine Gun Funk – Production: Easy Mo Bee
Song has a good beat sampled from the Lords of the Underground. Biggie comes out spitting right from the start. Crazy flow and lyrics that make your head nod. One of the top tracks of Big’s career.

5. Warning – Production: Easy Mo Bee
An Issac Hayes sample so you know it’s straight funk. One of BIG’s first storytelling tracks. Highlight is the phone call where he spits back and forth with himself. Nice lyrics and flow that make you totally ignore any production.

6. Ready to Die – Production: Easy Mo Bee
The album’s title track, BIG comes spitting right off the get-go. Production is average for Easy Mo Bee but still hard, the scratches take you back. The flow is unbelievable.

7. One More Chance – Production: Bluez Brothers/ Chucky Thompson
A very simple beat but it plays well with Biggie’s flow on the track. A relationship song that takes a while to get started but once it does BIG makes you forget about the beat with his style on the track.

8. #!*@ Me (Interlude) – Production: Puff Daddy
An interlude to the sounds of sex that follows the previous track.

9. The What ft. Method Man – Production: Easy Mo Bee
A slow funky beat along with slow verses laid down by Meth and BIG. Neither are too exceptional considering the combo, but it’s still better than most today. The two work well together and the chorus is mad catchy.

10. Juicy ft. Total – Production: Puff Daddy/Poke
Best track on the album. The production is off the chains. BIG’s flow and lyrics are hard to match in any track. All around an incredible song. He shows his versitile flow. “blow up like the World Traaade Center”. A song anyone can dig.

11. Everyday Struggle – Production: Norman & Digga/Bluez Brothers
A nicely produced track. BIG kicks in with one of the best choruses on the album, they almost remind you of something 2Pac would do. Lyrics and flow are incredible. Delievery on this track is unmatched.

12. Me and My ***** – Production: Norman & Digga/Chucky Thompson/ Puff Daddy
A good relationship track with a nice flow by BIG. The chorus is a little too simple, it isn’t very catchy and makes you want Biggie to keep rhyming. Production is tight but it should be with 4 producers working on it.

13. Big Poppa – Production: Chucky Thompson/ Puff Daddy
Production for this track is just insane and the flow Big delievers shows his ability to do it better than anyone else. Lyrics are on point. Chorus is tight. It’s one of the albums singles.

14. Respect – Production: Poke/Puff Daddy
A funky beat that’s off the hook. BIG lays down some nice lyrics and flows over the beat incredibly. Just check out when he says his birthdate. Who do you know can do it like that? Decent track.

15. Friend of Mine – Production: Easy Mo Bee
A faster track for the album but that doesn’t keep Biggie from faltering. He lays it down perfectly, lyrics and production are on point. Chorus sould be better but it’s outshined by the verses and beat so you forget about it.

16. Unbelievable – Production: DJ Premier
A storytelling song about what makes BIG so good. But he proves it not with the words but his delivery of them. Good production.

17. Suicidal Thoughts – Production: Lord Finesse 
A song about killing yourself. It finishes off the concept of the album. The lyrics and sound Big has in his voice give the feeling of depression and the concept is delivered perfectly. The production is average. A deep track that ends the album leaving you hanging.

Biggie’s debut album will go down in history. The concept of the album about being in the everyday struggle to the point of not caring whether you live or die is delievered nicely. the Notorious BIG stepped into the game and set new standards lyrically while debuting his flow that can’t be matched. His ability to storytell is showcased nicely. I can’t think of many rappers that make you forget about the production because they almost make their own with their style of flowing over a beat.

The album is definetely a strong album. While it’s highly considered a classic, there are areas that could be improved. Choruses sometimes took down a strong track. The production failed at moments. BIG came through strong and it’s an album everyone should own, but as a classic, it could be better.

Rating 4/5

Nas – Illmatic

Nas - IllmaticAfter making his debut on Main Source’s “Live At The BBQ” in 1991, Nas earned himself instant respect in the East Coast rap scene. In 1994, Nas dropped dropped his highly anticipated debut album. With Nas’s undeniable lyrical skills and production from some of the most respected and sophisticated producers in the game, the album lived up to the hype. The astonishing debut made the Queen emcee the king of New York for a while admist the post- Chronic East Coast comeback.

1. The Genesis 

An intro with Nas & AZ talking over a beat.

2. N.Y. State Of Mind 

Nas starts off the album great with this DJ Premier track. In this track Nas describes the harshness of the N.Y. streets. Nothing less than classic. – 5/5

3. Life’s A *****

Laid back track. Like always when the duo of Nas & AZ collaborate, this song is a classic. Probably there best track together. Nas’s father, Olu Dara, plays the trumpet at the end. – 5/5

4. The World Is Yours 

One of the singles from the album (and my personal favorite). Pete Rock produced this classic. The track has a good feel to it and one of the best of the album. – 5/5

5. Halftime 

This Large Professor produced track first appeared on the Zebrahead soundtrack in 1992 (in fact, it’s lead single). Nas kicking mad lyrics over a nice beat. – 5/5

6. Memory Lane (Sittin’ In Da Park) 

Laid back track. Nas showing off his unique lryical skills over this nice beat. Anothe classic. – 5/5

7. One Love

Nas shows his storytelling skills on this classic. Q-Tip porduced this song and is widely considered Nas’s best. It’s a detailed letter to an incarterated friend how there allegiance in there group has changed. – 5/5

8. One Time 4 Your Mind

The album slows down for a while here. Nas once again kicks lyrical skills on this track. The beat could have been better. It’s not even that bad of a track, but compared to the rest of the album, is not up to par. – 4/5

9. Represent 

Nas spitting lyrics about the streets of New York over a grimey beat. Really good track, but like the prior song, no up to par. – 4.5/5

10. It Ain’t Hard To Tell 

Another single. Great beat, fantastic showcase of Nas’s lyrics. Another climax song and a great climax to an astonishing album. – 5/5

Overview:

Although it slows down at the end a bit, the rest of the album is so good that it makes up for it, in fact making you forget about it. A undeniable classic, one of the greatest in hip-hop history. One of those rare masterpieces that don’t come along often.

Overall Rating: 5/5

A+ – Hempstead High

A+ - Heampstead HighI first heard A+ on the Lost Boyz album ”Love Peace & Nappieness”, and he came out tight as ***** there… When I heard “Enjoy yourself” on the radio and saw the video on TV, I was a little disappointed because he seemed to be a commercial and pop rapper. The only way to find out if that’s true is to listen to his album.

1. Intro (Classroom)

2. Enjoy yourself

”Enjoy yourself” was the big hit from this album and got allot of airplay on the radio and TV. It’s sampled from an old classical masterpiece and you’ll know which one when you hear it. I don’t really know the name of it but judging from the intro it’s Beethoven. A+ is doing a good job and it’s an excellent choice for a first single not only because of the production but also because of the lyrics, which is (in clean version) appealing to the commercial audience.

3. Up top New York (feat. Mr Cheeks)

A+ and the Lost Boyz has always been a tight combo. Here A+ is teaming up with the lead rapper in the Lost Boyz – Mr Cheeks. The beat is very tight and you get that old Lost Boyz sound back which is very very tight! Mr Cheeks and A+ isn’t disappointing us either and it’s all in all a very good track.

4. Gotta have it

This track has got a nice production and I’m definitely feeling it, but I’m not so sure everyone does. A+ is showing off with his lyrical skill but on this one he sounds more like a battle rhymer.

5. Boyz to men (feat. Lost Boyz & Canibus)

Wow! A+, Lost Boyz and Canibus! Last time I heard these together it came out tight as *****, and this time it’s really tight too. Mr Cheeks is starting off with a nice verse, then A+ and Canibus bless us with their combined lyrical greatness. The only thing I don’t understand with this song is why it says Lost Boyz is on it when it’s really just Mr Cheeks. This is a very tight song tho.

6. Whatcha weigh me (feat. MJG)

“Whatcha weigh me” is a cool track with a tight beat and a nice piano string to it. A+ is coming out tight as usual and MJG is doing a good job too. I really think the beat is holding this one up tho.

7. Understand the game (“Special appearance by Erykah Badu”)

This song has got a nice and laid back beat and it’s really relaxing. I don’t know if that, or the fact that A+ is tight, makes me listen to the lyrics a lil extra. A+ is spitting about how he understand the game.

8. Don’t make me wait<br>
If I’m not remembering wrong, I think this was the second single. I’m not sure tho. It’s a tight beat and a nice guitar string topped with a nice hook and tight lyrics. IF this was the second single, it wasn’t a very good choice since it’s not really a commercial track. I can imagine this making a few heads bump at the club though.

9. Interlude – The score

A+’s momma comes in when he’s trying to sex up a chick. Funny shit!

10. It’s on you (feat Chico DeBarge)

“It’s on you” is a laid-back track and just like a laid back should be, it’s relaxing. A+ is spitting some fire as usual and Chico DeBarge is doing the hook and he’s doing it well.

11. What the deal (feat. Cardan)

This track has a super-tight beat and the mixing off it sounds good too. A+ is tight as usual and Cardan complete the track with some really tight lyrics. This up-tempo track is one of my favourites on this album.

12. Price of fame

It’s hard to describe the production on “Price of fame”. It’s up-tempo but at the same time laid-back and relaxing. I think I’ve gotten a little bit tired of A+ by now tho. He’s like Canibus – a tight rapper but doesn’t last for the entire album.

13. Staggering and stuttering (Feat. Psycho Drama)

Mo-Suave-A Productions tried to make this song sound like some horror-core kinda shit, but it’s not really. A+ can’t do that. It’s still a nice track tho and Psycho Drama came out tight.

14. Parkside gardens

The album is finishing off with a track about the place to be for A+. It’s a tight production and A+ is coming out kinda hard, too. Overall a nice cut.

A+ is a tight rapper, but just like Canibus he doesn’t last an entire album. If you pick any of these tracks and listen to it, he’s coming out tight, but if you listen to the whole thing like I did you’ll be tired of him at the end of the album. The highlights of this album were the tracks with Mr Cheeks and the commercial single “Enjoy yourself”. I think that single gave A+ a bad name since people thought he was the Lil Bow Wow kind of rapper, but if you listen to more of A+ you’ll hear he’s not.

Richie Rich – Seasoned Veteran

Richie Rich - Seasoned Veteran1. Intro(Skit) 

Just the intro.

2. Funk

Nice way to start off the album. Nice beat done by Richie Rich. This isn’t a groundbreaking song or anything but it’s good. Good

3. It’s On(Feat E-40) 

Now this what I’m talking about, very dope song. Nice to see E-40 and Rich collaborate. The beat was done by DJ Daryl and it’s pretty tight. DOPE!

4. Let’s Ride

I like the beginning alot with the singing and when the beat kicks in. Ali Malik produced a banging beat. DOPE!

5. 30 Minutes(Skit)

Just a skit.

6. Real Pimp

Funny beginning as Richie Rich breaks down what a real pimp is and what a fake one is. DJ Daryl produced a nice relaxing beat. Richie Rich just rides the beat all the way through talking about being a pimp. DOPE!

7. Guess Who’s Back

Lev Berlak produced a pretty good beat, but something’s missing. All in all a good song. Good

8. Fresh Out 

Pretty tight beat, they sample “For The Love Of Money” and it works pretty well. Richie Rich raps about just getting out of jail. Good

9. Niggas Done Changed(Feat 2 Pac)

DOPE DOPE DOPE!!!! I love the beat by Ric Roc and Rich and Pac work well together on this track. Bay Area classic in my opinion. DOPE!

10. Pillow(Feat DeWayne Wiggins & Rame Royal)

Very very smooth track. Nice track to just kick back and relax to. Good

11. Check Em

Good beat by DJ Daryl, Richie Rich raps about checking people who play him. Good

12. Real Sh*t

Lev Berlak produces a banging beat and Richie Rich comes tight. Good

13. Questions(Feat Luniz)

My favorite track on the album. Luniz & Rich work well together and this shows it. Yukmouth just tears this track to pieces but Rich and Knum rip it as well. Man this is a perfect track. DOPE!

14. It’s Not About You 

Average track. Average

15. Do G’s Get To Go To Heaven

This is dedicated to 2 Pac and it’s done very well. I love the beat and Richie Rich comes with some dope emotional lyrics. Classic track right here. DOPE!

16. Touch Myself(Remix)(Feat T-Boz)

Pretty tight track, but I could do without Jermaine Dupri talking on the track. Good

All in all I’ll give this album a Good rating. Buy this if you’re a fan of the bay or just a fan of rap in general. This has good beats, lyrics, and guests.

Dru Down – Can You Feel Me

Dru Down - Can You Feel Me1. Intro

2. Playa Fo Real

And we waste no time gettin to the good stuff. Flawless track, Dru basically raps about goin out and meeting women. The beat is bangin and IMO makes the song, man this track is perfect. DOPE!

3 .Baby Bubba

Saucy track, nice and funky. I love the beginning, it really makes the track. DRU DOWN!(Hey you’ll understand once you hear the song). DOPE!

4. Can You Feel Me

Sheesh it’s like I walked in a time warp, the beat is 1990 here, I mean hey it’s cool but sheesh Dru get with 1996(The year it was made) already. Average

5. Choppin It Up

Nice bouncy Bay beat. Very very dope track, this is trademark Dru Down right here. DOPE!

6. Head & Shoulders 

Hey ok so the chorus is stupid but hey it’s catchy and this song is so dope(Though it seems elementary). Dru has so much charisma it’s not even funny. DOPE!

7. Mista Busta

Too Short diss here, ok the chorus is classic and this song is a Bay classic. Nuff said aight? DOPE!

8. Hustlin Ain’t No Thang
Good track but it’s just missing something. It’s cool. Good

9. The Game

This isn’t even a song it’s just C&H talkin.

10. Breezy

OOOOOOH SAUUCCCYYYY!!!! Poppa LQ and Yukmouth(YEA!) joins Dru for this classic, man this track is smooth and has the Luniz trademarked chorus. DOPE!

11. Freaks Come Out

My fav track on this album, oh man this is smooth. The Luniz join Dru on this and they all come tight. Man oh man this may be one of my fav songs of all time atleast top 10 . DOPE!

12. Deal Went Bad

Falls flat after that great “Freaks Come Out” track. Eh. Average.

13. Underestimated

Saucy? I would say so. The chorus is simple yet classic. DOPE!

14. I’m Wondering

Ok the singin is very very bad in the beginning. Dru has the charisma to make this track an average. Average

15. Suspect One

UMMMM SAUCY? Not quite but very close. Good track. Good

16. 500 Mobsters

Man this is so not Dru, but it’s dope, I love the beat. DOPE!

17. The Mobb 

Tight posse cut, but I don’t like the chick singin. The beat is classic piano(“Ikes Mood” sample baby!). Luniz and Dru come dope as does the other guests. DOPE!

All in all I gotta give this album a DOPE! rating, it’s just too tight. You got lyrics, beats, flow, good guests, and enough Dru solo songs to make this a Bay classic. COP IT NOW FOO!

Dru Down – Explicit Game

Dru Down - Explict Game1. Pimp Of The Year

Classic track produced by Ant Banks. Dru just basically talkin about mackin on women and pimpin them. DOPE!

2. Ice Cream Man 

Another classic cut. Gino Blackwell produced this bangin beat. Knumskull tears this track up! DOPE!

3. Rescue 911

WHOA! This is one of the best storytelling tracks of all time. Yukmouth is kidnapped see and Dru has to get money to save him, sure it sounds basic but Yuk goes into detail and makes this song a classic. Sure Dru comes dope but this track is all Yuk. DOPE!

4. Realer Than Real 

I love the “Baby” samples. Classic Dru Down cut. DOPE!

5. Rigged 

Average to me. Average

6. Bad Boys

Dru Down’s singing at the beginning is classic! Dope track. DOPE!

7. Should Have Said So 

Nice laid back cut. Dru rappin about women. Good

8. Talkin Shit 

SAAUUCCYYY!!!!!!! Dope bouncy beat by Ant Banks! Dru rips the track. DOPE!

9. Ain’t No Stoppin 

Average track to me. Average

10. Hoo Ride

OOOHHHWEEE!!!! Yuk & Knum join Dru on this track and all come tight. The beat is “Electric Slide” just tweaked up a little. DOPE!

11. Call Me Dru Down 

I’m not feeling this track. Wack 

12. No One Loves You

DOPE DOPE DOPE! This is classic Dru right here. DOPE!

13. Talk How U Feel

Very dope track, Gino Blackwell produced a banger here. DOPE!

14. Fools From The Streets 

Luniz join Dru on this track and I love the beat, the piano is a nice touch. DOPE!

15. Bonus Track

Nice way to end the album, C&H introduces Dru Down, Knum, and Yuk who all come tight. I love the beat. DOPE!

All in all this gets a DOPE! rating, sure there were some songs not up on the DOPE! level but I’m a biased Dru and Luniz fan so deal with it. Cop this album now! This is a classic Bay Area album.

Luniz – Operation Stackola

Luniz - Operation Stackola01.) “Intro”
Produced by DJ Fuse

02.) “Put The Lead On Ya” (feat. Dru Down) (4.5 out of 5)
Produced by Tone Capone
“Put The Lead On Ya” was a great way to kick-off “Operation Stackola”. Numskull and Yukmouth both spit fire over the grimy production of Tone Capone. Dru Down spits one of his career-best verses on this track. Dru Down and the Luniz have an undeniable chemistry together. I’m lovin’ the Eazy-E sample on this track.

03.) “I Got 5 On It” (5 out of 5)
Produced by Tone Capone
It’s very difficult to describe how outstanding this record is. If you can’t remember where you were the first time you heard this track… then there’s something wrong with you. Numskull and Yukmouth perform what can be argued as their career-best (group) lyrical performance over one of the greatest instrumentals of all-time. To say the least… this track has stood the test of time. More than a classic.

04.) “Broke Ho’s” (5 out of 5)
Produced by Shock G.
Numskull and Yukmouth flawlessly flow over one of Shock G.’s signature piano-driven productions. This is a truely hypnotic production. The VERY SECOND you hear the hook… you’ll NEVER be able to get it out of your head. This is a personal favorite of mine.

05.) “Pimps, Playas, Hustlas” (feat. Dru Down and Richie Rich) (4.5 out of 5)
Produced by N.O. Joe
Dru Down, Numskull, Richie Rich and Yukmouth ALL tear N.O. Joe’s outstanding production to shreds. Dru Down and Richie Rich are the absolute best MC’s that the Luniz could have recuited for this track. The only complaint (and it’s hardly a complaint) I have about this cut is that the hook can become SOMEWHAT annyoing after a while.

06.) “Playa Hata” (5 out of 5)
Produced by E-A-Ski and CMT
When I say that “Playa Hata” by the Luniz is a personal favorite of mine… I mean it! This song would probrobly rank as my second or third favorite song of all-time. If you ask me… the Luniz are easily one of the best group’s in Hip-Hop history. This track is proof of that statement. The production on “Playa Hata” is absolutly PERFECT! Everything about this track is a picture of perfection, from the flow of Numskull and Yukmouth to the hook. It still amazes me how the Luniz (along with E-A-Ski and CMT) were able to perfect Bobby Caldwell’s classic slow-jam.

07.) “Broke Niggaz” (feat. Knucklehead and Eclipse) (4 out of 5)
Produced by DJ Fuse
The highlight of this track is the grimy production of DJ Fuse. Knucklehead and Eclipse both drop nice verses (more-so Knucklehead). Numskull and Yukmouth (as usual) drop outstanding verses.

08.) “Operation Stackola” (4.5 out of 5)
Produced by N.O. Joe
If you ask me… this is THE BEST group lyrical performance in the history of West Coast Hip-Hop. The production of N.O. Joe is outstanding on this track. I’ll probrobly be annoyed in a few months when I read this again and wonder why I didn’t give it a “5”.

09.) “5150” (4.5 out of 5)
Produced by Shock G.
I can’t get enough of the “Shock-Jesus” intro on this track. Numskull and Yukmouth both have a criminally under-rated flow. You gotta love the hook. After listening to this track all you can do is pray that the Luniz and Shock G. will one day re-unite and make music like this again.

10.) “900 Blame A Nigga” (4 out of 5)
Produced by DJ Fuse
Numskull and Yukmouth for the um-teenth time spit fire over an outstanding West Coast production. Eventhough the “redneck’s” on this track are hilarious (and they serve a purpose), it kind-of ruins the flow of this track.

11.) “Yellow Brick Road” (5 out of 5)
Produced by N.O. Joe
The ORIGINAL Ice Cream Man… Yukmouth and his parter in crime, Numskull put-on a classic lyrical performance for the sequel to Dru Down’s 1994 underground classic “Ice Cream Man”. “Ya Mama got a long-ass throat when she drinks milk, by the time it get’s to her throat it’s spoiled!”… CLASSIC! N.O. Joe sure-as-hell LACED the Luniz on this track.

12.) “So Much Drama” (feat. Nik Nack) (3.5 out of 5)
Produced by Terry T
The production (along with Nik Nack’s verse) are very average on this track. The track is improved with the lyrical performances of Numskull and Yukmouth. “So Much Drama” includes the first of MANY disses to Master P (from the Luniz) for jacking Yukmouth’s “Ice Cream Man” alias.

13.) “She’s Just A Freak” (3.5 out of 5)
Produced by Gino Blackwell
The production of Gino Blackwell rates at about a “3.5”. The highlight of “She’s Just A Freak” is the lyrical performance from Yukmouth. Although the hook is absolutly HILARIOUS… it’s rather annoying. Don’t let your lady hear this cut… LOL!

14.) “Plead Guilty” (4.5 out of 5)
Produced by DJ Darryl
This was the best way to end “Operation Stackola”. Numskull and Yukmouth spit FIRE over the outstanding production of DJ Darryl.

15.) “Outro”
Produced by DJ Fuse

CONCLUSION: “Operation Stackola” is an undeniable classic from one of the best group’s to ever enter the West Coast Hip-Hop scene. Everything about this album is top-notch, from the production to the lyrical performances of Numskull and Yukmouth. It’s a damn shame that this album doesn’t recieve as much credit as it deserves. I urge you to go purchase this album!

FINAL RATING: 5 out of 5

DJ Quik – Rhythm-al-ism

DJ Quik - Rhythm-al-ismThis was the first Quik album I bought after it got a good review in the source back in 1998. This as I understand was Quik’s first album where he let go of his ‘gangsta rap’ roots and went for the funk.

1. Rhythm-al-ism intro
I can count on less than one hand (if thats possible) the amount of intro’s that can beat this. Straight heat from the start, a great tune and Quik flowing very well.

2. We Still Party
One of few songs on the album where Quik doesn’t share the mic. Great banging drumline and numerous other instruments make this a brilliant track.

3. So Many Wayz (feat. 2nd II none, Peter Gunz)
Another good feeling summer kind of track. Funky production, a talkbox on the hook and the unexpected guest of Peter Gunz works well to create a classic.

4. Hand in Hand (feat 2nd II none)
Great bassline on this. Quik sounds at ease as he spits his usual witty, cheeky and often arrogant rhymes. Still no sign of a bad track on this album.

5. Down Down Down (feat Suga Free, Mausberg, AMG)
The simplist sounding production yet, with the tune made up mostly of the drum loop and bassline. Fast paced track, everyone spitting a nice rhyme. Suga Free drops his usual sexual orientated rap.

6. You’z a Ganxta
I love this track. Great production which even makes a flute sound good. Here Quik asks why he always gets blamed for shit he doesn’t do, and even offers to do a track with his foe MC Eiht ‘when he gets his head together’.

7. I Useta Know Her (feat AMG)
Yet another track which seems somewhat faster paced than most rappers could handle. AMG and Quik spit about a bird they find out they both been banging. Also contains Quik on the talkbox throughout.

8. No Doubt (feat Playa Hamm, Suga Free)
Never used to like this track. It’s certainly not the strongest on the album but no means is it bad. Not really feeling the production.

9. Speed (feat AMG)
A 124 bpm banger. Quik keeps up well on a track which would not be out of place on a Twista album. The name of the track says it all. This highlights Quik’s rapping skills.

10. Whateva U Do
Not really feeling this one, kind of a cheesy track about Quik chatting to a girl.

11. Thinkin’ Bout U
The slowest track on the album, and while the subject is pretty much the same as the previous song, this is a lot better. A great slow track from a males point of view of sex. “Doing what you do to make me do what I did, to almost ***** so hard we almost had a kid”.

12. El’s Interlude (feat El Debarge)
I don’t mind interludes when there’s some kind of point to them. This is a good one. An RnB cut laced by Quik which has Debarge crooning over it. Quik kills the guitar on this one.

13. The ***** Medley (feat Snoop Dogg, Nate Dogg, AMG, 2nd II None, Hi-C, El Debarge)
A rapping extravaganza about *****! Snoop kicks this one of with a good rap, Nate does what he does best, and everyone else plays their part. Only thing is Quik’s verse is reversed for some reason.

14. Bombudd 2
Quik turns reggae artist on this one. Production, lyrics and rapping style are all reggae style. It’s different, but very nice.

15. Get 2getha Again (feat. 2nd II None, AMG, Hi-C)
A bit cheesy this one but still ok to listen to. Quik and homies rap bout being ‘2gether again’.

16. Reprise
Bit pointless this – same tune as ***** medley but with an awful electric guitar over it.

Quik changed his style for a funky one on this album. It works suprisingly well. With the exception of Dre, you’d find it hard to find a better rappin and producin artist than what Quik showcases here. His beats are a lot deeper than those nowadays from the likes of Neptunes and stand the test of time well. This in my opinion is Quik’s finest hour, and one of westcoasts best releases outside of Death Row.

No hesitation of giving this 4.5/5

Nearly a classic, not quite.

Eminem – The Slim Shady LP

Eminem - The Slim Shady LPDr. Dre, the legendary producer behind the likes of Snoop Doggy Dogg, NWA, Tha Dogg Pound, among many others stepped up in 1999 with his new prodigy. Eminem. This was his mainstream debut album.

1. Public Service Announcement 
The album’s intro, just a warning to not listen to Eminem.

2. My Name Is – Production: Dr. Dre
The first single that brought Eminem into the national spotlight. Although the song sets the stage for Eminem’s haters, the lyrics are funny at moments. While the song is gimmicky, Eminem flows nicely and Dre puts down a decent beat.

3. Guilty Conscience ft. Dr. Dre – Production: Dr. Dre
The 3rd single off the album. Each verse tells a new story of someone at a crossroads. Eminem plays the bad conscience, Dr. Dre the good. Both come through with excellent parts. Production is off the chains too.

4. Brain Damage – Production: Jeff Bass
A decent beat but the shine on this track is Eminem’s crazy flow. While the chorus is well known, when you really listen to it, it’s pretty weak. Something about it is catchy all the same. The song is more or less about highschool, and you can’t help but laugh at some lines.

5. Paul
The first of a now recurring skit on Em’s albums. His attorney Paul Rosenberg leaves a phone message to tone down the lyrics.

6. If I Had – Production: Eminem/Jeff Bass
While the song would never work as a single it’s easily one of the album’s best tracks. It’s not a hip-pop sound and the lyrics are fire. He talks about the struggle of everyday life and rhymes perfectly on it. Even the biggest Eminem hater could relate to this track.

7. 97 Bonnie and Clyde – Production: Eminem/Jeff Bass
The now infamous track brought Em’s daughter Hailie into the picture. In the track he is talking to her after killing Kim. The lyrics are just evil. Not a bad track but hard to distinguish if it’s a gimmick or if he was going through some real shit at that moment.

8. ***** – Skit
About people hating Em’s lyrics.

9. Role Model – Production: Dr. Dre/Mel Man
A good sounding beat from Dre and Mel Man, a song about the Slim Shady charecter. Em delivers a good flow, often times funny but something lacks in the song. The sort of tracks Eminem haters will love to point out.

10. Lounge – Skit
A karoake at some lounge. Useless to the album.

11. My Fault – Production: Jeff Bass
A story about a party where nothing goes right for him. The chorus is crazy weak, lyrics score nicely but the production fails.

12. Ken Kaniff
The first appearance of Ken Kaniff. Funny like usual.

13. ***** on Everybody – Production: Eminem/Jeff Bass
Another shock value song but you can’t deny Eminem’s flow over this track. The beat has a funk feel to it but the chorus ruins the track.

14. Rock Bottom – Production: Jeff Bass
A song about being broke an hopeless. A nice beat once again that totally suits the concept of the song. Em gives a nice flow and the chorus fits (For one of the first times in the album). Another track anyone can dig.

15. Just Don’t Give A ***** – Production: Jeff Bass/Eminem
The albums’ 2nd single. The track is decent, lyrics are allright, the production is a little overwhelming with the high pitched whistle. The chorus is too catchy. Not a bad track.

16. Soap – Skit performed by Royce Da 5’9” and Jeff Bass.
It’s a soap opera satire that leads into the next track.

17. As the World Turns – Production: Jeff Bass/Eminem
One of the albums worst tracks. Nice flow but the shock value lyrics are getting very old at this point in the album. The chorus is garbage and production average. An interesting sidenote look for his shot at the Source magazine .

18. I’m Shady – Production: Eminem/Jeff Bass
Production is decent but not great. It’s basically a drug song with lyrics that go nowhere. The chorus is mad annoying. Another low point in the album.

19. Bad Meets Evil ft. Royce Da 5’9” – Production: Jeff Bass/Eminem
An old west style track about Em and Royce being outlaws. The two spit back and forth all over the track with two incredible flows that make you ignore the beat all together (and it’s pretty good itself). The chorus is nicely done by Eminem. A good track and Royce is a welcome addition to the CD.

20. Still Don’t Give A ***** – Production: Jeff Bass
An unapoligetic track from Em for being the way he is. He puts a little heat behind his flow to match the beat. The chorus is catchy and the track will make you nod your head. The second verse shines.

Eminem’s debut album best displays his ability to flow nicely. While much of the album is gimmicky and relied highly on shock value lyrics, there are some shining tracks that demonstrate his versitility to make meaningful tracks as well. Ex. If I Had and Rock Bottom.

The album served as a nice foreshadow to the Eminem we know today. Dr. Dre came through with some nice production as usual and Eminem honed his skills behind the board a bit. Eminem himself later stated with this album he didn’t know how to put together his flow with the beats and at times it shows. He will flex his lyrical skills on a track that sounds laid back and vice versa.

Although the album is by no means a failure, it’s not a great showcase of what Eminem is capable to do.

Overall rating 3/5